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Appophobia

Appophobia

Appophobia:
A lingering fear and distrust of apps

Always do what you are afraid to do.
~Ralph Waldo Emerson

We have evolved into what we are because we have somehow learned to balance mistrust and wariness of danger with a counterbalancing willingness to explore and exploit the rewards of equally dangerous undertakings and adventures. The stories of our histories would be tepid and soon forgotten if not faced with struggle and perseverance that somehow revealed a greater truth and wisdom and courage to live in a higher state of existence. If we do not accept and embrace this, then we may as well just relegate ourselves to a more diminished and ignorant self. Mighty high sounding talk, I know, to lead into a discussion of apps on an iPad.

But, it is what it is…

Every folder on my iPad is essentially a toolbox where I keep useful tools. I never let any one toolbox contain more tools that can fit on the cover screen of any folder—usually something like 12 apps, most of which I seldom use, but some that are essential to my daily workflow. It is no different than the toolboxes I used when teaching shop or managing the various projects I undertake at home.

I have a toolbox for plumbing supplies and tools. I have a toolbox for painting supplies. I have a toolbox for woodcarving. I have a toolbox for working on my car and bus and boat. All of these are kept in my workshop and in my shed along with benches, shelves, vices and hooks and hangers.

No one has ever said to me: “Fitz, you have too many tools in too many boxes in too many places.” I simply have what I need and what has evolved to serve the purposes and tasks of my everyday life. And still I sometimes have to go to Tom Cummings shop or a friend’s garage or another friend’s shed to “borrow” what I need, but don’t have.

So why the incessant hubbub I hear about too many apps on a student’s iPad? If they are useful to him or her—or me as their teacher—it is a useful app, regardless of how often a specific app is used. My shop students routinely come to a shop filled with all manner of tools—most of which those same students have little idea how to use properly.

And the funny thing is that it never seems to bother them or their parents or the school because everyone intuitively trusts that what is there is a useful and, ultimately, a necessary part of a dynamic and well-equipped shop.

And many of those tools in the shop are extremely dangerous tools! Way more dangerous than GarageBand, Book Creator, iTunes U and iMovie. This “appophobia” is as senseless as it is crippling, and the clarion call to forbid these apps is being led by people who have no clue themselves how to use and exploit these tools for academic benefit.

The usual fallback for declaring an app to be useless is to lament that learning new apps is confusing and distracting and the sign of an out-of-touch teacher. With that logic we should throw out quadratic equations, the krebb’s cycle, the causes of The Civil War, and the proper use of conjunctive adverbs. We should ban backpacks with more than three textbooks, any loose sheaves of paper and calculators with any kind of trigonometry functions. We shouldn’t give a lecture that is more than five minutes long or occasionally ask kids to just remember the assignment—as in just remember the conversation we had at the end of class.

Imagine the horror of so many when the first pencils with built in erasers tumbled off the assembly line. Mistakes could now be hidden with a simple flick of the wrist. How could teachers even begin to know what students did and did not know? Imagine a school allowing students to use textbooks to supplant the power of a teacher’s oration on any given subject matter?

Education is like a shark: if it does not continue to move forward, it dies. If education does not move in the direction of its prey, it, too, ultimately weakens and dies. If we put myopic restraints on a teacher thing to put new and dynamic power into the hands of his or her students and forge a new and better way of learning, then education dies. No fish can ever be caught without stirring the waters, so we should embrace the messiness of learning as the tailings of a miner’s labor.

Which brings me back to this iPad of mine tapping away in the stillness of a late September night. It is my poet’s hoe, my pick-axe, chisel and plane. It is doing what I need it to do at this  or any other given point in time. In a few minutes (I hope) it will be the final chapter in a good book. Tomorrow it may record my songs, film my video, craft my essay, fill my journal, create my quiz, model my discussion, post my assignment, paint my canvas, grade my homework—and when I don’t want it or need it, or feel if is useful, it simply disappears.

Back into my shed, my toolbox, or some dusty shelf…

The iPad is not a tool or a device or a thing. It is an enabler of possibility. Apps are not a panoply of evil undertakings; they are merely shovels and spades that let us dig deeper and faster and cut our corners as clean and square as Mike Mulligan and Mary Anne.

And I do not have a problem with that.

The Art of Collaboration

The Art of Collaboration

Danny, Jimmy, & Me  

& The Art of Collaboration

I

     Mrs. Roeber never seemed to let Jimmy go outside, which, to my thinking as an 11 year old, was why he was so smart.  Most days after school, I’d rush two houses down the street and get Danny Gannon to come out and play. Then the two of us would go to Jimmy’s house next door.  If Mrs Roeber answered, she would always be polite and say something like, “Jimmy needs to catch up on some science work. Perhaps he can play later.”  If Jimmy answered, he’d usually be out of breath from running upstairs from his basement “office” and plead with us not to give up on him—or at the very least go out back and talk to him through the basement window.

So me and Danny would sneak out back and lay on our stomachs on the pokey grey gravel outside his basement window. Five feet below, Jimmy would be doing his work at his workbench (which, in all honesty, was a pretty cool place).  I always wished I was smarter, so I could  do his work for him and get him outside to play. I was better than Jimmy at a lot of things, but those things never got graded, and most of those things you couldn’t appreciate until “later in life.”  But, to my Tom Sawyer way of thinking, I preferred being outside and average to being inside and smart.  Danny was an outside kid, and smart, too, and that always troubled me, but not enough to let it call my inside/smart: outside/not smart philosophy into question. Danny’s voice was always the one that tried to tell me that the sledding jump was too high, or that branch would not support my weight, or those snakes would bite, or that we couldn’t run faster than a nest of bees we just destroyed.

Once we got Jimmy outside, he was like a mad scientist: ”We’ll, just have to see how high Fitz can go on his sled,“ or, ”I’ll distract the snake so Fitz  can grab it from behind,“ or ”Bees have been clocked flying at 80 miles per hour.“ Looking back, we probably seemed like the gang that couldn’t shoot straight, and we did tend to go our different ways as we grew older, but we always still manage to reconnect somehow, and it doesn’t seem like we are a day older. It’s kind of hard to put into words because Danny and Jimmy might not be the best friends of my daily life, but they will always be the best friends I need.

Just thinking of the three of us together is like a window opening to a cool and welcome breeze. And the coolest thing is the window is always there. It might be that the only thing we actually had in common was living next door to each other, but still, we made it work; we made it real, and we made it last.

No choice. No problem. We did it together.

 

II

          Life was pretty simple with Danny and Jimmy and me. There was no forethought in doing things together. It was more just some manifestation of a primordial DNA strand that we responded to with a visceral enthusiasm bordering on mania. We are born to be tribal in nature. We expect and need to be a part of a community, for we know in our bones and marrow that we really can’t go it alone. There is no Huck without Jim; there is no Odysseus without Athena, and there is no you without some hand that will pull you out of the muck you have made of your life. Thank God for the primitive man patiently stalking some larger prey to have the primitive women scrounging for tubers, berries, grains and millet, which no doubt provided the greater sustenance. We live and breathe a collaborative atmosphere of trust and unfathomable magnanimity.

Then why I did I always hate group projects, but, more telling: why did I change my mindset and my actions?

I hated group projects because they never seemed like group projects. What seemed in theory to be group work was really like some industrial factory spewing its incessant belching of traditions with an unequal and unsatisfying distribution of work and wealth, where the smart kids continued to be rewarded the lion’s share of honors, while the poor students (myself especially) continually paired themselves with a misfit tribe of friends who accepted the inequities of the classroom as a normal and an immutable reality of life. 

Danny, Jimmy and I went to the same schools: Jimmy was—and still is—brilliant beyond my wildest dreams. Danny, too, seemed way smarter than me and probably smarter than most of the smart kid, though tempered with a shy and steady reserve (which by teacher default kept him from the brilliant crowd) that often forced him into our regressive and unrepentant tribe.  As close as the three of us were in the ecosystem of our townie neighborhood, our schools erected barrier after barrier to keep us apart.  While in school those walls did an admirable job of keeping us apart, and so we were only able to collaborate in our feral joys outside of school. Jimmy was smart, but not arrogant, and never willingly sought the tribe that formed around him, for when the academic birds of a feather were called to gather together, he was soon surrounded by the peacocks and strutting roosters of Concord, all brilliant in their own ways and inclinations, while my tribe and I wore our B’s and C’s and D’s like gang tattoos on our bruised and battered torsos.

Really, not much has changed between now and then, and while kids nowadays are more polite and empathetic, and at least begrudgingly inclusive, the iron curtains in our classrooms are still there–just more subtly erected. The academically accomplished kids are almost insanely driven to preserve the status quo—and if paired with the less accomplished, they will go to extreme lengths to do all of the work themselves. They do not want their brilliance to be diminished by including the less accomplished, less fortunate, and less able, and they will labor far into the night to correct the sloth and ineptitude of their partners. Ironically, it is an ignominy that they will suffer in silence, mostly because “collaboration” is part of the rubric—and in the end they all need to say it was a collaborative effort, and kids like me who simply sprayed the red paint on a smoke-spewing model of Mount Vesuvius remained mute in the complicit code of silence that dictated our lives.

So the rich preserved their wealth, while the poor squandered the chance to make a mark on their yardstick of time. The paradigm was set long ago: one law for the rich; one for the poor. It always seems strange and telling that the rich suburban and private schools constantly tout the quality of their students and teachers, when in reality that are just exposing the “quantity” of wealth and resources at their disposal. It used to piss me off, and I was satisfied in a smug way that at least I saw through the smoke and mirrors, until a point in time not long ago when I realized that, as Jesus said, “There will be poor always,” and I just needed to redefine what wealth really is and how it is spread around a classroom.  I needed to unearth the inherent wealth in every kid I taught and see every one of my students as a treasure trove of possibility and make everything they did together engage that same passion of Danny, Jimmy and me hucking stones at bee’s nests. Every kid has to have a pile of stones to throw at the nest and the legs to run as fast as he or she can; otherwise, there is no skin in the game, no shared risks—and, ultimately, no shared triumphs.

 

III

          Every classroom in every school on the planet is a blessed mix of possibilities—rich or poor, enriched or impoverished—with a mix of talents, drive, will—and more than a share of abnegating responsibility. As a kid, I hated group projects, and this hatred has fed my myopic biases for the past fifty years. They sucked as a student because I was never a full part of the group—and as a teacher, the group projects sucked because I would see the same inequities I despised perpetuated in my own lame assignments. I kept unleashing the same monster that swallowed me in my childhood. I was stuck in the stream of my own inbred traditions, though convinced I was nobly doing my duty as a teacher.

My epiphany came when I realized that I never really taught what the word collaboration means. None of us can grasp the wisps of what we don’t understand, but I had aways just assumed that we had a common understanding of the word—to do things together (whatever that really means) but while reading and teaching Moby Dick with my ninth grade classes, I found myself one day discussing the crew of the Pequod—and what a wild mix of nationalities it is: native american harpooners, dreamy adventure seeking deckhands, carpenters, sail menders, lookouts, blacksmiths, cooks and mates all bound up in a common adventure. Roles were defined, but in the fray of the chase every man took to the boats towards a common and fathomable goal. And what a success it was until the monomaniacal Ahab stepped to the deck and pointed the Pequod in his obsessive direction—to kill the White Whale. What was collaboration became duty and fate.

In discussing that twist of the plot, we started a conversation about what collaboration really is, and by the convolutions of discussion, we extended the metaphor of Moby Dick to help us define what is meant by collaboration. Collaboration is a shared adventure with shared rewards wherein every person is due his or her rightful share—the share agreed upon before setting foot on deck. No collaborative effort is inherently equal, for our skills and strengths on any given project are too disparate—nor will the rewards ever be the same for we will alway reap in proportion to what we sew and tend and what we sign on to do.—but the journey and the chase can and should be exciting and rewarding for everyone, and no one person should ever be allowed to alter the common purpose of the voyage, and every person has to accept the mundane roles on quiet seas and rise from the forecastle when all hands are needed on deck, and every man has to drop everything and pull on the oars in precise rhythm when chasing the whale—and, most importantly, every person needs to be on that ship for the length of the voyage.

The Pequot’s crew was hoping to sail home to Nantucket with a belly full of oil that could be measured and assessed down to the last drop, and every part of that motley crew would know and expect, and receive a fair share of the reward. 

So now I not only love group projects, but I believe that they are the heart and soul of my classroom.  They are what binds us together as a community. They are opportunities to share strengths and  work through weaknesses and differences. They help us recognize and respect the dynamic power of uncommon backgrounds pushing towards a common dream—not merely a goal. They help individuals find new and deeper sources of strengths that he or she never fathomed before.

But collaborative projects are not all roses and perfume. As a teacher you have to accept that it will take twice as long as you planned, and if you can’t be flexible, you are no better than Ahab—while at the same time your students need you as a captain who is stern and unforgiving and expects duty to be dutiful, who gathers the crew on deck when need be and frees them to their chores without being meddlesome, and when the blubber of the whale is being boiled down in the tryworks, your classroom will be a bloody mess. And just as in life people will bitch and moan and convince themselves that their individual effort and persistence is what is keeping the boat afloat–and if that happens, call the crew on deck again–and again if needed. True collaboration is an honest day of hard and dirty work–not a bunch of friends trying to pass off sloth as substance.

And well all is said and done, and your students are tired, bloody, and bruised, give them their fair share of the split—and reward them, damn it, reward them.